Planning notes · P3
The four-week runway from booking to doors.
Live printing looks spontaneous because the four weeks before it weren't. This is the actual sequence on our production calendar.
Four weeks out: lock the artwork.
Designs get finalized, proofed at print size, and test-pressed on the actual garment colors. This is also when personalization rules are set — name fonts, monogram styles, patch menus — because every option added later ripples through production files. Rush timelines are possible, but artwork is the step that punishes compression most.
Three weeks out: order the blanks.
Headcount converts to a blank order with a size curve — not an even split; adult events skew L/XL, family events need youth sizes. Ordering here leaves room to fix a supplier shortfall without paying rush freight. For Las Vegas and nationwide events, this is also when we book the shipping so blanks arrive before the crew does.
Two weeks out: paper the venue.
The station sheet goes to your venue: footprints, the 20A circuit for DTF, table counts, and load-in needs. Convention centers get their electrical orders and dock windows; ballrooms confirm freight elevators and setup times. If the floor plan needs to move, this is the cheap week to move it.
Final week: the run sheet.
Transfers are produced and counted, blanks arrive and get binned by size, and the crew gets a run sheet: arrival, setup complete, doors, service window, teardown. Setup finishes a full hour before doors so the last hour is for dressing the station, not troubleshooting it. Day-of, your only job is pointing at the floor tape. If your date is inside four weeks — ask anyway; we'll tell you honestly what the compressed version costs and risks.